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Forthcoming from Book Works

Hello,

Hope you’re all enjoying the spring sunshine or surviving the looming apocalypse, or both.

We have some exciting news – in May we will be publishing Kathryn Scanlan’s Aug 9 – Fog. This was her first book, published in the US in 2019, before the widely acclaimed Kick the Latch, and we are delighted to be publishing it in the UK for the first time.

There is a press pack folder here which contains a pdf, press release and images to download, and more information and endorsements below. Please do let me know, though, if you are planning to pitch or commission something.

Katrina Palmer’s The Touch Report has now closed at the National Gallery, but the book is freshly out and to date has only had one, dire review at the Guardian. I know it’s churlish to complain about bad reviews, especially to an audience of editors (😬) but trust me, this one is a real stinker that completely fails to even try to understand what the “book” [their scare quotes!] is. Please read it and get as annoyed as i was and then pitch or commission a better one ; ) https://www.theguardian.com/artanddesign/2024/dec/16/jeff-wall-life-in-pictures-white-cube-bermondsey-review-katrina-palmer-the-touch-national-gallery

Also, all four books in the Arrhythmia series are now out. Following Roy Claire Potter’s The Wastes and Alice Walters The Medium in 2024, we’ve now released the second two titles, Black Body Index by Andrew E. Colarusso, and Through the Tinnitus by Kamwangi Njue. Full details below, and if you’d like to hear the album please email for a code.

Katrina Palmer is also the guest editor for the Arrhythmia series so it would be a great time to commission a review essay or feature of the series, or a profile of this complex and quietly subversive artist.


If you would like a review copy of any of these (or other Book Works) titles, or to profile any of the artists, or have any questions, get in touch by replying to this email (or [email protected] /+44 7779 251006).

Finished copies of Aug 9 – Fog will be available in April, and we hope that Kathryn Scanlan will be coming to the UK for some events in June.

Cheers,

Tamar

*This is our occasional press newsletter to let editors, writers and programmers know about upcoming books. You’re receiving this email because you’ve previously indicated to me that this would be welcome – if it no longer is, or if I’ve made a mistake, please let me know by replying to this email and I’ll remove you. This will remain an occasional letter – every couple of months at most.*

Aug 9 – Fog

Kathryn Scanlan

Twenty years ago Kathryn Scanlan acquired a diary at a public estate auction. It was kept by Cora E. Lacy, an eighty-six-year-old woman living in a small Illinois town, from 1968 to 1972. Scanlan began to compulsively read and reread the stranger’s diary. In the years following she edited, arranged, and rearranged the diarists’ words into the composition that is Aug 9 – Fog.

Originally published in 2019, this is the first UK edition, now available to pre-order.

Kathryn Scanlan is the author, also, of The Dominant Animal and Kick the Latch. Originally from Iowa, she lives in Los Angeles. More here.

 

Praise for Aug 9 – Fog:

“I’ve never come across anything quite like it since, and don’t believe I ever will.” – Magali Reus

“...transforms a seemingly ordinary life into a profound and moving depiction of how humans can love and live.” – Publishers Weekly

“As quiet as it is evocative, Aug 9 – Fog is a testimony to life as a labour of love, in prose that seems to live and breathe on its own.” — Preti Taneja

“In Kathryn Scanlan’s Aug 9 – Fog, a notebook deteriorates beneath a ‘big red sun’, emanating a succession of moments and scenes that ‘tingle’, ‘glimmer’, and fail. This is the drenched Diary, crumbling when opened, a collection of ‘loose scrap notes’. ‘To read the diary is to be dropped into a life’, writes Scanlan, magnetising sentences into loose, strangely tender shapes. Is a paragraph a kind of chrysalis? The fog is burning off. We read towards that.” – Bhanu Kapil

“…in this unusual, finely judged and wrought work, [Kathryn Scanlan] has created beautifully resonant lines of what amounts to prose poetry out of the found diaries of an elderly stranger and in doing so has reminded us of the beauty that can be discovered in the ordinary and in ordinary speech.” – Lydia Davis

“These Scanlan passages of life – you should take them with you wherever you go.” – Vi Khi Nao, author of Sheep Machine

“Elegant and unpretentious . . . [Aug 9 – Fog] grants every reader that simultaneous pull between mystery and intimacy . . . these barest clues—of new lights installed and tomatoes canned, tombstones bought and weeds tormented, a self-help book with a photograph from decades before tucked inside – are the ones that make us fall in love. – Nadja Spiegelman, The Paris Review


Through the Tinnitus

Kamwangi Njue

Through The Tinnitus explores spatial and sonic phenomena through psychoacoustics—the scientific study of how sound is perceived psychologically. Using a version of the pioneering Soviet-designed ANS photo-optical synthesiser, images taken in the artist’s locale, the Jamhuri and Sabaki Neighborhoods of Nairobi, are processed and converted into graphical or drawn sound. In the sound work accompanying the book, these ekphrastic rhythms hum to the sonic backdrop of political violence and utopian dreams.

A free download code for the album will be provided on purchase of the book.

Kamwangi Njue is a multidisciplinary artist, writer, and experimental beatmaker from Nairobi, Kenya.

Through The Tinnitus is published as part of Arrhythmia, a series curated for Book Works by Katrina Palmer.


Black Body Index

Andrew E. Colarusso

Then there was the sculpture, a large lustrous black stone of alien provenance. Walking around it I realised that the sculpture had been placed so that upon entering one might see only its black surface. On the other side it revealed a surface open and coated in gold glitter, geodic revelation. I knelt to inspect it closer, witness to a tiny spider crawling across its surface, from black to gold and back.

Andrew E. Colarusso’s Black Body Index takes the concept of the ‘ideal black body’ as its guiding object. In thermodynamics and physics, the ideal black body is a theoretical object that absorbs and emits all incident radiation. No such object exists, though a few come close…

Told in a mercurial constellation of fragments that move between memoir, poetry and thermodynamic theory, Andrew E. Colarusso’s Black Body Index inspects the ‘thingification’ of an ideal black life and refutes it—insisting on the freedom to live beyond the demands of an enforced objecthood.

Black Body Index is published as part of Arrhythmia, a series curated for Book Works by Katrina Palmer.

Andrew E. Colarusso was born and raised in Brooklyn, New York City. He occasionally writes things when not tending to his bookstore, Taylor & Co. Books, in the Ditmas Park neighbourhood of Brooklyn.


ABOUT US

Book Works is a leading contemporary arts organisation with a unique role as makers and publishers of books.

Established in 1984, we are dedicated to supporting new work by emerging artists. Our projects are initiated by invitation, open submission, and through guest-curated projects. Book Works consists of a publishing and commissioning department; and a studio specialising in binding, box-making and multiples.

STUDIO

The Book Works Studio offers a specialist bespoke service for a range of clients, from artists, designers, galleries, and businesses. We provide binding solutions, develop prototypes and specialise in unique book artworks, boxes, and portfolios. We have an extensive archive, and offer tailored educational events, and bookbinding courses. The Studio generates income from clients and is self-sufficient.

PUBLISHING

Book Works Publishing is dedicated to supporting new work by emerging artists. Our projects are initiated by invitation, open submission, and through guest-curated projects and include publishing, a lecture and seminar programme, exhibitions, the development of an online archive, and artists’ surgeries and workshops.

Our audience is vital to our work. The process of engaging and developing our audience is initiated with our commissioning programme, and driven through all aspects of our activities, particularly our public programme of events, our workshops, artists’ surgeries and education activities, and through our interest in collaborating with other organisations and libraries. Our programme of commissions is diverse, and reflects our commitment not just to work with cultural workers from all backgrounds, but to invest in networks and programmes that engage, and develop and create new artistic voices.

Recent Commissions

Includes new projects with: Amy Ching-Yan Lam, Sofia Niazi, Theresa Hak Kyung Cha and Jimmy Robert, Prem Sahib, and Cecilia Vicuña. Our recent Open Submission is Arrhythmia, guest edited by Katrina Palmer, has commissioned new work from Andrew Colarusso, Roy Claire Potter, Kamwangi Njue, and Alice Walter. Katrina Palmer is also the author of The Touch Report, released December 2024.

SUPPORT US

By supporting Book Works you will help support artists and writers at the emerging stage of their careers through our diverse commissioning programme of open submissions, guest editorships, public events, exhibitions and publications.

CHARITY

Book Works is a registered charity, dedicated to advance education for the benefit of the public in the visual arts, particularly books which may be recognised as works of art in their own right.

TRUSTEES

We have a board of trustees who input their range of diverse expertise and interests into our development:

Tess Denman-Cleaver (Chair)
Teresa Drace-Francis
Maria Amidu
Nick Brown
Taghrid Choucair-Vizoso
Aliya Gulamani
Gerrie van Noord


Book Works

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London EC2A 4JB

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