‘An account of political struggle and precarious beauty…today Saborami offers us a delicate, undying vision of collective renewal at a time of desperation, when fury and sorrow might seem the only possible responses.’

– Henry Broome, BOMB Magazine

How many artists are there? Choose where you want to work, choose. Invent your task, do it! All together to destroy reactionary ideas, bourgeois ideology, individualism, solemnity, all white, European, capitalist ways of existence!’

– Cecilia Vicuña, Saborami, 1973

Cecilia Vicuña created Saborami in the aftermath of the September 1973 military coup in Chile. Combining poetry, journal entries, documentation of artworks including assemblages and paintings, the book was published in Devon, England in an edition of 250 hand-made copies by the artist-led Beau Geste Press. It was one of the first artistic responses to the violence of the fascist junta.

In recent years, Vicuña has gained increasing renown, including a retrospective at Kunstinstituut Melly (FKA Witte de With, 2019) and installations at the Guggenheim (2022); and Tate Modern (2023). Saborami is one of her most important works, made at a turning point in her life and career, and reverberating through to the present day. Though the book is highly regarded, it has also been hard to access. This new, expanded facsimile edition remedies this oversight, and restates Saborami as a central example of artistic engagement in material and revolutionary resistance.

Engaging obliquely with the legacies of surrealism, contemporaneous experiments in concrete poetry and the British conceptual art practices of the 1960s and 1970s, Saborami is part of an exilic and internationalist tradition. Years ahead of her time, Vicuña outlines an eco-socialist and feminist vision in the face of defeat.

Coinciding with the fiftieth anniversary of the book’s original publication and of the coup in Chile, this expanded edition contains a new introduction by art historian and curator Amy Tobin and poet and writer Luke Roberts. It includes rarely seen archival material from Vicuña’s time in London, such as contributions to the feminist newspaper Spare Rib, commentary from BBC coverage, and her role in Artists for Democracy in Chile and other solidarity campaigns.

Saborami: Expanded facsimile edition by Cecilia Vicuña, is edited by Amy Tobin and Luke Roberts, designed by James Langdon, and published by Book Works in an edition of 1,000 copies. This project has been generously supported by the Jan Michalski Foundation, Cecilia Vicuña, King’s College London, and Newnham College, University of Cambridge.

Cecilia Vicuña is an internationally renowned visual artist and poet. Born in Chile in 1948, she lived in England between 1972 and 1975. After a period in Bogota, Colombia, she settled in New York City, where she lives and works today. Her New and Selected Poems were published by Kelsey Street in 2018. At the Venice Biennale in 2022 she won the Golden Lion award for Lifetime Achievement.

Luke Roberts, author of Home Radio (2021), is Senior Lecturer in Modern Poetry at King’s College London.

Amy Tobin, author of Women Artists Together: Art in the Age of Women’s Liberation (2023), is Associate Professor in History of Art and Curator at Kettle’s Yard, University of Cambridge.